ANNOUNCER: A mighty city has stood proud
in England for over 2,000 years.
It has withstood wars,
plagues and fire,
but remained unbowed.
This city has ruled a global empire
on which the sun never set,
while celebrating tradition
and royalty
in equal measure.
And so, we come
to this city,
this magical city
that is London.
(applause)
¶ What's this phony ceremony, hanging around? ¶
¶ We got to get down, lock it out ¶
¶ From this shaky ground, come on and ¶
¶ Spit it out, your hearty party mood everywhere ¶
¶ Let's see you people laughing, people punching out in the air ¶
¶ Get down to the hip-hop a be-bop-a-loo-a ¶
¶ You hear the sound, it's all coming to ya ¶
¶ I wanna get ya, I wanna tease ya,
¶ I'm gonna get this beat to hit ya ¶
¶ Get down to the big time illusion ¶
¶ Life or the rest ¶
¶ Come on and tough it, jump it, funk that feeling ¶
¶ Give all your best ¶
¶ She stood there bright as the sun ¶
¶ On that California coast ¶
¶ He was a Midwestern boy on his own ¶
¶ She looked at him with those soft eyes ¶
¶ So innocent and blue ¶
¶ He knew right then he was too far from home ¶
¶ And those Hollywood nights ¶
¶ In those Hollywood Hills ¶
¶ She was looking so right ¶
¶ In her diamonds and frills ¶
¶ All those big city nights ¶
¶ In those high-rolling hills ¶
¶ About all the lights ¶
¶ She had all of the skills ¶
¶ Come on and drive on, drive on ¶
¶ Drive on into night ¶
¶ You got that burning power, midnight hour ¶
¶ Flashing your light ¶
¶ It's just a love game of heart and pain that we're giving out ¶
¶ That's what the 21st century is all about ¶
¶ You gotta ¶
¶ Well, you're dirty and sweet ¶
¶ Clad in black, don't look back ¶
¶ And I love you ¶
¶ You're dirty and sweet, oh, yeah ¶
¶ Well, you're slim and you're weak ¶
¶ You've got the teeth of the hydra upon you ¶
¶ You're dirty sweet and you're my girl ¶
¶ Get it on ¶
¶ Bang a gong, get it on ¶
¶ Get it on ¶
¶ Bang a gong ¶
¶ Get it on ¶
¶ Get it on, get it on ¶
¶ Get it on, get it on, get it on, get it on ¶
¶ Get it on ¶
¶ And those Hollywood nights ¶
¶ In those Hollywood hills ¶
¶ She was looking so right ¶
¶ It was giving him chills ¶
¶ In those big city nights ¶
¶ In those high rolling hills ¶
¶ Above all the lights ¶
¶ With a passion that kills ¶
¶ I don't want your money, honey ¶
¶ I want your love ¶
¶ I don't want your car, baby ¶
¶ I want your ahhh ¶
¶ I don't want your money ¶
¶ I want your love ¶
¶ I don't want you car ¶
¶ I want your ahhh ¶
¶ I want your love ¶
¶ I don't want your money, honey ¶
¶ I want your love ¶
¶ I don't want your money, honey ¶
¶ I want your love ¶
¶ I don't want your money, honey ¶
¶ I want your love ¶
¶ I don't want your money, honey ¶
¶ I want your love... ¶
STAGE DIRECTOR: Let's go, guys.
Let's go, let's go, let's go.
Sorry, oh, my God. I almost had...
We should go right now.
We're so excited to be in London
and all be together on the plane,
in the hotel, on the bus.
It's like school.
(reporters chattering)
KARLIE: It's the day!
(whooping)
LILY: My dad is British,
so I grew up in London,
and I feel very English
in my roots, so it feels like I'm going home.
¶ Everything is changing... ¶
CANDICE: Victoria's Secret Angels
have landed in London.
(cheering)
ALESSANDRA: We're at the Victoria's Secret store in London,
and it's been crazy.
There are, like, so many photographers and fans,
and we weren't expecting all this.
(whooping)
I haven't seen the venue; we're going after this,
and we're gonna have the rehearsal.
Then I'm definitely gonna get into the mood,
because we're gonna wear our wings,
and we're gonna hear the music,
and it's finally here.
MODEL: Oh, my God, look at the floor.
This is wild.
LILY: The floors are all these incredible
LED lights.
It's like, lit up as you're walking.
It's just so beautiful.
ED RAZEK: There are more models than ever.
There's 47 models.
There are more outfits than ever.
MODEL: This is my first time.
And now I see this, it's like a dream come true.
ED RAZEK: It's beautiful to see all the ideas come together,
and then see their appreciation of them.
It's always the best part.
¶ Just noise... ¶
Hi, Dad!
I'm so excited it's in London, because my dad's here,
my siblings are in the crowd, my nephews.
This year I'm opening the segment, "Dream Girls."
It's my first time opening a segment,
and one of my best friends is performing during it,
Taylor Swift, so it's gonna be really fun,
and I am so excited I get to open this part.
STAGE MANAGER: Send the talent now. Send the talent now.
ANNOUNCER: Ladies and gentlemen,
"Dream Girls," featuring Taylor Swift.
(applause)
¶ Nice to meet you ¶
¶ Where you been? ¶
¶ I could show incredible things ¶
¶ Magic, madness ¶
¶ Heaven, sin ¶
¶ Saw you there, and I thought ¶
¶ Oh, my God, look at that face ¶
¶ You look like my next mistake ¶
¶ Love's a game ¶
¶ Wanna play-ay? ¶
¶ New money, suit and tie ¶
¶ I can read you like a magazine ¶
¶ Ain't it funny, rumors fly ¶
¶ And I know you heard about me ¶
¶ So hey, let's be friends ¶
¶ I'm dying to see how this one ends ¶
¶ Grab your passport and my hand ¶
¶ I can make the bad guys good for a weekend ¶
¶ So it's gonna be forever ¶
¶ Or it's gonna go down in flames ¶
¶ You can tell me when it's over ¶
¶ If the high was worth the pain ¶
¶ Got a long list of ex-lovers ¶
¶ They'll tell you I'm insane ¶
¶ 'Cause you know I love the players ¶
¶ And you love the game ¶
¶ 'Cause we're young and we're reckless ¶
¶ We'll take this way too far ¶
¶ It'll leave you breathless ¶
¶ Or with a nasty scar ¶
¶ Got a long list of ex-lovers ¶
¶ They'll tell you I'm insane ¶
¶ But I've got a blank space, baby ¶
¶ And I'll write your name ¶
¶ Cherry lips, crystal skies ¶
¶ I could show you incredible things ¶
¶ Stolen kisses, pretty lies ¶
¶ You're the king, baby, I'm your queen ¶
¶ Find out what you want ¶
¶ Be that girl for a month ¶
¶ Wait, the worst is yet to come ¶
¶ Oh, no ¶
¶ Screaming, crying, perfect storm ¶
¶ I can make all the tables turn ¶
¶ Rose garden filled with thorns ¶
¶ Keep you second guessing ¶
¶ Like, oh, my God, who is she? ¶
¶ I get drunk on jealousy ¶
¶ But you'll come back each time you leave ¶
¶ 'Cause, darling, I'm a nightmare ¶
¶ Dressed like a daydream ¶
¶ So it's gonna be forever ¶
¶ Or it's gonna go down in flames ¶
¶ You can tell me when it's over ¶
¶ If the high was worth the pain ¶
¶ Got a long list of ex-lovers ¶
¶ They'll tell you I'm insane ¶
¶ 'Cause you know I love the players ¶
¶ And you love the game ¶
¶ 'Cause we're young and we're reckless ¶
¶ We'll take this way too far ¶
¶ It'll leave you breathless ¶
¶ Or with a nasty scar ¶
¶ Got a long list of ex-lovers ¶
¶ They'll tell you I'm insane ¶
¶ But I've got a blank space, baby ¶
¶ And I'll write your name ¶
¶ Boys only want love ¶
¶ If it's torture ¶
¶ Don't say I didn't say ¶
¶ I didn't warn ya ¶
¶ Boys only want love ¶
¶ If it's torture ¶
¶ Don't say I didn't say ¶
¶ I didn't warn ya ¶
¶ So it's gonna be forever ¶
¶ Or it's gonna go down in flames ¶
¶ You can tell me when it's over ¶ ¶ Over ¶
¶ If the high was worth the pain ¶
¶ Got a long list of ex-lovers ¶
¶ They'll tell you I'm insane ¶
¶ 'Cause you know I love the players ¶
¶ And you love the game ¶
¶ So it's gonna be forever ¶
¶ Or it's gonna go down in flames ¶
¶ You can tell me when it's over ¶
¶ If the high was worth the pain ¶
¶ Got a long list of ex-lovers ¶
¶ They'll tell you I'm insane ¶
¶ 'Cause you know I love the players ¶
¶ And you love the game ¶
¶ Yeah ¶ ¶ 'Cause we're young and reckless ¶
¶ We'll take this way too far ¶
¶ Ooh ¶ ¶ It'll leave you breathless ¶
¶ Leave a nasty scar ¶ ¶ Or with a nasty scar ¶
¶ Got a long list of ex-lovers ¶
¶ They'll tell you I'm insane ¶
¶ But I got a blank space, baby ¶
¶ And I'll write your name. ¶
(applause)
STAGE MANAGER: Boarding the ship to "Exotic Traveler."
(indistinct radio transmission)
Standing by.
Coming up after the break...
'Sup?
ANNOUNCER: And later, Ariana Grande, Hozier,
and more from Taylor Swift, only CBS.
Hi, London. Hi, London.
ED RAZEK: I think with Adriana and Alessandra,
we've been lucky enough to work with two
of the greatest models in the history of the world.
They are the quintessential Victoria's Secret Angels.
They are sexy and beautiful
and voluptuous and curvy,
and they really, truly are great friends.
ALESSANDRA: We know each other from Brazil,
from when we started.
So we were, like, both 15.
ADRIANA: In Brazil, we have
this magazine for teenagers,
and she always did the covers.
I would see her, and I thought she was beautiful.
I'm like, "This girl is amazing."
ALESSANDRA: When I first did the Show Cannes,
that's, I think, when we bonded.
Warm weather, hot girls.
We had a lot of fun. Oh, my God, yes.
We're both Angels,
but we can be little devilish girls, too, sometimes.
Ooh! No?
I'm just glad that I always
had a friend and a companion
to share this amazing experience
we had, yeah. Career.
Life.
ALESSANDRA: We're, like, same age.
We both have two kids,
so we're very similar that way,
and we get to hang out
with each other and have a great time.
MONICA MITRO: The Fantasy Bra, every year,
is such a major event.
It's a huge, huge, huge honor
for any of the models to get the Fantasy Bra.
This year, we decided to do two separate Fantasy Bras.
ED RAZEK: I can't imagine what Victoria's Secret
would've been without these girls.
The contributions that they've made
are incalculable.
It was just time to say thank you.
ALESSANDRA: It's gonna be...
very special.
You know, it's not even dream come true.
It's more than that.
It's more, it's more, you know?
It's like it's always gonna be in my heart.
I can't wait to see it myself.
I haven't seen yet.
Yeah, we haven't even seen I can't wait to see.
the Fantasy Bra.
Like, we're just like everybody else, you know?
We're like...
We can't wait to put our hands
in our Fantasy Bra right now.
We're like kids.
Our hands? Yeah.
Our... (laughter)
Bye.
ANNOUNCER: Ladies and gentlemen,
"Exotic Traveler," featuring Ed Sheeran.
¶ When your legs don't work like they used to before ¶
¶ And I can't sweep you up off your feet ¶
¶ Will your mouth still remember the taste of my love? ¶
¶ Will your eyes still smile from your cheeks? ¶
¶ And, darling, I ¶
¶ Will be loving you ¶
¶ Till we're 70 ¶
¶ Baby, my ¶
¶ Heart could still fall ¶
¶ As hard at 23 ¶
¶ And I'm thinking about how ¶
¶ People fall in love in mysterious ways ¶
¶ Maybe just the touch of a hand ¶
¶ Well, me, I fall in love with you ¶
¶ Every single day ¶
¶ And I just want to tell you I am ¶
¶ So, honey ¶
¶ Now ¶
¶ Take me into your loving arms ¶
¶ Kiss me under the light of a thousand stars ¶
¶ Place your head on my beating heart ¶
¶ I'm thinking out loud ¶
¶ That maybe we found love ¶
¶ Right where we are ¶
¶ When my hair's all but gone and my memory fades ¶
¶ And the crowds won't remember my name ¶
¶ When my hands don't play ¶
¶ The string the same way ¶
¶ Mm, I know you will still love me the same ¶
¶ 'Cause, honey, your soul ¶
¶ Could never grow old ¶
¶ It's evergreen ¶
¶ And, baby, your smile's ¶
¶ Forever in my mind ¶
¶ And memory ¶
¶ Ooh ¶
¶ And I'm thinking about how ¶
¶ People fall in love in mysterious ways ¶
¶ Maybe it's all part of a plan ¶
¶ Na, na ¶
¶ Well, I'll continue making ¶
¶ The same mistakes ¶
¶ Hoping that you'll understand ¶
¶ But, baby, now ¶
¶ Take me into your loving arms ¶
¶ Kiss me under the light of a thousand stars ¶
¶ Place your head on my beating heart ¶
¶ I'm thinking out loud ¶
¶ That maybe we found love ¶
¶ Right where we are ¶
¶ Ooh ¶
¶ Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh ¶
¶ La, la, la, la, la, la ¶
¶ La, la, la, la, la, la, la ¶
¶ Mm ¶
¶ So, baby, now ¶
¶ Take me into your loving arms ¶
¶ Kiss me under the light of a thousand stars ¶
¶ Oh, darling ¶
¶ Place your head on my beating heart ¶
¶ Thinking out loud ¶
¶ That maybe we found love ¶
¶ Right where we are ¶
¶ Oh, baby, we found love ¶
¶ Right where we are ¶
¶ And we found love ¶
¶ Right where we are. ¶
(applause)
STAGE MANAGER: Send the models now, please.
The runway line, Guys, make way! Make way!
Standby models out.
Killed it! Yes!
¶ Boom, boom, boom, clap. ¶
LILY: Walking onstage for
the Victoria's Secret runway is like being a rock star.
The adrenaline rush you get is just indescribable.
MAN: Calling all angels
to the runway.
The moment they put you in the lineup,
that's kind of when the nerves set in.
Now we need to start the lineup!
I'm like... (squeals, groans)
Your heart is like, boom, boom, boom, boom.
STAGE MANAGER: 20 second till curtain.
Looking good. CANDICE: Before I walk on,
it's like total pandemonium going on. (chuckles)
Like, hyperventilating.
STAGE MANAGER: We need Candice on this cross.
LILY: The first year I did the show,
the producer on the side had to, like, push me out,
like, to get me to start walking,
because my legs just felt like bricks.
STAGE MANAGER: Go time. Go!
¶ Boom, clap, the sound my heart ¶
¶ The beat goes on and on and on and on and ¶
Once you walk out there,
all you can think about is don't fall or don't trip.
Don't screw this up.
CANDICE: But I have to, like,
force every step.
My legs feel like jelly, and I'm like,
come on, next leg.
¶ Come on to me, come on to me now ¶
ALESSANDRA: When you get
at the end of the runway,
and it's your moment to shine,
that's when you got to give everything you have.
STAGE MANAGER: Good job, Alessandra!
Nailing the end of the runway pose is like...
scoring a touchdown.
¶ Uh ¶
It's very important. (laughs)
LILY: Getting that right move
or the right wink or the right kiss
is so important. I mean, it's everything.
¶ Come on to me, come on to me now, boom, clap ¶
KARLIE: It's such
an extraordinary experience.
¶ Boom, clap ¶
It's a walk to remember.
¶ Come on to me now ¶
When the show's done, you're like,
"What? No, let's do it again."
¶ Come on to me now. ¶
(applause) Amazing!
ALL: Next up, Pink!
(cheering)
While I'm singing, can I, like, interact with you guys?
Yes, please. Yeah! I want...
I do want... I want to, like, spank a booty.
(whooping) Why am I so nervous this year?
I need to pink...
STAGE MANAGER: We're standing by for Elsa.
Come on, quickly, quickly!
WOMAN: We have lineup.
Elsa's standing by.
It's happening!
ANNOUNCER: Ladies and gentlemen,
"The University of Pink,"
featuring Ariana Grande.
¶ Tell me something ¶
¶ I need to know ¶
¶ Then take my breath ¶
¶ And never let it go ¶
¶ If you just let me ¶
¶ Invade your space ¶
¶ I'll take the pleasure ¶
¶ Take it with the pain ¶
¶ And if in that moment ¶
¶ I bite my lip ¶
¶ Baby, in that moment ¶
¶ You know this ¶
¶ Is something bigger than us ¶
¶ And beyond bliss ¶
¶ Give me a reason to believe it ¶
¶ 'Cause if you want to keep me ¶
¶ You gotta, gotta, gotta, gotta ¶
¶ Got to love me harder ¶
¶ I love you, love you, love you ¶
¶ And if you really need me ¶
¶ You gotta, gotta, gotta, gotta ¶
¶ Got to love me harder ¶
¶ Oh, baby ¶
¶ Oh, yeah ¶
¶ Love me, love me, love me, baby ¶
¶ Harder, harder, harder, baby... ¶
Come on, Victoria's Secret!
Let's put your hands together.
(whoops)
¶ She might've let you hold her hand in school ¶
¶ But I'm gonna show you how to graduate ¶
¶ No, I don't need to hear you talk the talk ¶
¶ Just come and show me what your mama gave ¶
¶ Oh, babe ¶
¶ Your love gotta be, baby ¶
¶ Love but don't say a thing ¶
¶ See anybody could be good to you ¶
¶ You need a bad girl to blow your mind ¶
¶ Hey ¶
¶ Bang, bang, into the room ¶
¶ I know you want it ¶
¶ Bang, bang, all over you ¶
¶ I'll let you have it ¶
¶ Wait a minute, let me take you there ¶
¶ Wait a minute, tell you ooh ¶
¶ Bang, bang, there goes your heart ¶
¶ I know you want it ¶
¶ Back, backseat of my car ¶
¶ I'll let you have it ¶
¶ Wait a minute, let me take you there ¶
¶ Wait a minute, tell you ¶
¶ Ah, B to the A to the N ¶
¶ Bang, bang, bang, bang, bang, bang, bang ¶ ¶ To the G to the uh ¶
¶ Ooh, yeah ¶ ¶ B to the A to the N to the G to the hey ¶
¶ See, anybody could be good to you ¶
¶ You need a bad girl to blow your mind ¶
¶ Okay ¶
(whoops)
¶ Bang, bang, into the room ¶
¶ I know you want it ¶
¶ Bang, bang, all over you ¶
¶ I'll let you have it ¶
¶ Bang, bang, bang, bang, bang, bang ¶
¶ Bang, bang, bang, bang ¶
¶ Bang, bang, bang ¶
¶ Bang, bang, there goes your heart ¶
¶ I know you want it ¶
¶ Back, backseat of my car ¶
¶ I'll let you have it ¶ ¶ Oh, wait a minute ¶
¶ Let me take you there ¶
¶ Wait a minute, tell you ooh ¶
¶ Hey. ¶
¶ If you want it ¶
¶ Take it ¶
¶ I should've said it before ¶
¶ Tried to hide it ¶
¶ Fake it ¶
¶ Baby, I can't pretend anymore ¶
¶ I only wanna die alive ¶
¶ Never by the hands of a broken heart ¶
¶ Don't wanna hear you lie tonight ¶
¶ Now that I've become who I really are ¶
¶ This is ¶
¶ The part when I say ¶
¶ I don't want ya ¶
¶ I'm stronger than I've been before ¶
¶ This is the part ¶
¶ When I break free ¶
¶ 'Cause I can't resist it no more ¶
¶ This is ¶
¶ The part when I tell ya I don't want ya ¶
¶ I'm stronger than I've been before ¶
¶ This is ¶
¶ The part when I break free ¶
¶ 'Cause I can't resist it no more, babe. ¶
¶ Oh, baby, even though I hate you ¶
¶ I want to love you ¶
¶ I want you ¶
¶ And even though I can't forgive you ¶
¶ I really want to, baby ¶
¶ Tell me, tell me, baby ¶
¶ Why can't you leave me? ¶
¶ 'Cause even though I shouldn't want it ¶
¶ I gotta have it ¶
¶ Baby ¶
¶ Head in the clouds ¶
¶ Got no weight on my shoulders ¶
¶ I should be wiser ¶
¶ And realize that I've got... ¶
Let's go, y'all.
¶ One less problem without you ¶
¶ I got one less problem without you ¶
¶ I got one less, one less problem ¶
¶ One less problem without you ¶
¶ I got one less problem without you ¶ Go!
¶ One less problem without you ¶
¶ I got one less, one less problem ¶
¶ Oh ¶ ¶ One less problem without you ¶
¶ Hey, whoo! ¶ ¶ I got one less problem without you ¶
¶ Hey! ¶
¶ One less problem, hey, hey ¶
¶ Problem ¶ ¶ I got one less problem ¶
¶ Hey. ¶
(applause) Thank you.
ANNOUNCER: Coming up, the fairy tale continues
with Hozier, and then,
Taylor Swift's world premiere
of "Style."
Only CBS.
ANNOUNCER: Still to come
on the Victoria's Secret Fashion Show,
the world's most beautiful angels
and the mesmerizing Taylor Swift.
Yes!
MONICA MITRO: The wings are truly a major part
of the Victoria's Secret Fashion Show.
They've become so iconic over the years.
They're these amazing, gorgeous props.
They're very expensive,
and they take
a lot of time to put together.
One of the artisans
makes the frame, another artisan
might do the crystals.
Another one will make the feathers.
So, seeing them come to life is just
a wonderful creative process.
(Doutzen gasps)
Oh, my God.
So pretty. Isn't it beautiful?
So beautiful.
MONICA MITRO: The "Gilded Angels" section is probably
the most opulent section that we've ever done.
the wings are goddess-like and golden
and just what you think about when think
of a Victoria's Secret Angel.
She looks amazing.
DOUTZEN: It takes a year
to make all these outfits.
You know, all the little details
and little sparkles and feathers,
and it's so much work. It's incredible.
MONICA MITRO: The "Fairy Tale" section is very much
this beautiful dream in the woods.
There's hand painting
on very thin,
veil-like gossamer fabric.
It's really what you think about
when you think about a beautiful
fairy tale.
I'm in love
with these wings.
It's almost like a childhood fantasy
coming true, 'cause I always wanted to be a fairy, so...
(chuckles) Now I am one.
WOMAN: Going into "Fairy Tale" next.
Candice and Behati, where are they?
Fairies!
STAGE MANAGER: Candice standing by.
Are you all right? Three, two,
one.
ANNOUNCER: Ladies and gentlemen,
"Fairy Tale," featuring Hozier.
¶ My lover's got humor ¶
¶ She's the giggle at a funeral ¶
¶ Knows everybody's disapproval ¶
¶ I should have worshipped her sooner ¶
¶ If the heavens ever did speak ¶
¶ She's the last true mouth-piece ¶
¶ Every Sunday's getting more bleak ¶
¶ A fresh poison each week ¶
¶ We were born sick ¶
¶ You heard them say it ¶
¶ My church offers no absolutes ¶
¶ She tells me, "Worship in the bedroom" ¶
¶ The only heaven I'll be sent to ¶
¶ Is when I'm alone with you ¶
¶ I was born sick ¶
¶ But I love it ¶
¶ Command me to be well ¶
¶ Amen ¶
(applause) ¶ Amen ¶
¶ Take me to church ¶
¶ I'll worship like a dog ¶
¶ At the shrine of your lies ¶
¶ I'll tell you my sins and you can sharpen your knife ¶
¶ Offer me that deathless death ¶
¶ Good God ¶
¶ Let me give you my life ¶
¶ Take me to church ¶
¶ I'll worship like a dog at the shrine of your lies ¶
¶ I'll tell you my sins and you can sharpen your knife ¶
¶ Offer me that deathless death ¶
¶ Good God, let me give you my life ¶
¶ If I'm a pagan of the good times ¶
¶ My lover's the sunlight ¶
¶ To keep the goddess on my side ¶
¶ She demands a sacrifice ¶
¶ Drain the whole sea ¶
¶ Get something shiny ¶
¶ Something meaty for the main course ¶
¶ That's a fine looking high horse ¶
¶ What you got in the stable? ¶
¶ We've a lot of starving faithful ¶
¶ That looks tasty ¶
¶ That looks plenty ¶
¶ This is hungry work ¶
¶ Take me to church ¶
¶ I'll worship like a dog at the shrine of your lies ¶
¶ I'll tell you my sins and you can sharpen your knife ¶
¶ Offer me that deathless death, good God ¶
¶ Let me give you my life ¶
¶ Take me to church ¶
¶ I'll worship like a dog at the shrine of your lies ¶
¶ I'll tell you my sins and you can sharpen your knife ¶
¶ Offer me that deathless death ¶
¶ Good God, let me give you my life ¶
¶ No masters or kings ¶
¶ When the ritual begins ¶
¶ There is no sweeter innocence ¶
¶ Than our gentle sin ¶
¶ In the madness and soil ¶
¶ Of that sad earthly scene ¶
¶ Only then I am human ¶
¶ Only then I am clean ¶
¶ Oh, amen ¶
¶ Amen ¶
¶ Take me to church ¶
¶ I'll worship like a dog at the shrine of your lies ¶
¶ I'll tell you my sins and you can sharpen your knife ¶
¶ Offer me that deathless death ¶
¶ Good God ¶
¶ Let me give you my life ¶
¶ Take me to church ¶
¶ I'll worship like a dog at the shrine of your lies ¶
¶ I'll tell you my sins and you can sharpen your knife ¶
¶ Offer me that deathless death ¶
¶ Good God, let me give you my life. ¶
(applause)
Gorgeous there. Gorgeous.
I've been working for Victoria's Secret
for 18 years.
Beautiful!
And it's probably impossible
to say how
lucky and blessed and fortunate I feel.
LILY: Part of the Victoria's Secret experience
is getting to do that shoot with Russell James.
Beautiful.
LILY: He is
a genius.
Let's do this thing.
That's gorgeous.
ADRIANA: Shooting with Russell James...
Oh, my God!
...is definitely different
than other photographers.
Come have a look.
ALESSANDRA: He's like a monkey
on the set.
Keep filming! He's jumping around.
Sometimes that's how it is.
CANDICE: He's like
an extreme photographer.
He likes to shoot
in difficult situations
(growls) and push us a little bit.
Be careful, wave, wave.
Beautiful!
No risk.
There's always some joke
being played on somebody.
Gorgeous, that's beautiful.
(laughter) Keep going.
When you're shooting lingerie,
you need someone
that's making you feel safe and comfortable,
and having a laugh while you're doing it.
(whoops) Russell does that.
It's so easy to let go
when you're shooting with him.
KARLIE: He photographs women in a way
that truly captures them,
their power, their strength.
Beautiful there. Can you follow it here?
That's gorgeous.
Beautiful.
ADRIANA: I'm really excited to be a part
of Russell James' book, Angels.
¶ I could fill your cup... ¶
ALESSANDRA: His pictures are very tasteful.
They're classic, they're inspiring.
So, you know, I'm very proud of him.
¶ Safe and sound ¶
¶ We're safe and sound... ¶
RUSSELL JAMES: Over the years,
one of the great things is not just
to get to know all those amazing people
as models,
but we've become, I'd say,
something, a family.
And that is something that means a lot to me.
¶ We're safe and sound... ¶
LILY: I would drop anything to shoot with Russell,
because he's so good to me
and he's so good to the girls, and we really are family,
and I love Russell very much.
That's a wrap.
¶ Safe and sound. ¶
STAGE MANAGER: Confirming Taylor Swift.
Ready with Karlie.
ANNOUNCER: Next, a television exclusive
as Taylor Swift finishes the show with "Style."
Unbelievable.
ANNOUNCER: Only CBS.
KARLIE: Ballet is definitely
one of the biggest passions in my life.
I think because it was introduced to me
at such an early age,
and I fell in love with it.
I lived, breathed,
dreamed ballet.
Of being the prima ballerina
and being lifted in the air
by the handsome principle dancer.
I've had countless dreams
like that.
Ballet is passion.
It's art
in the most beautiful human form.
There's so much emotion
that you can express
without a single word.
Being a model,
you're doing the same thing.
You're seen and not heard,
but there's a story to tell,
a character to tell that you're portraying
through movement.
It taught me so much
that I use today.
I owe my career
to my background in ballet.
(applause, cheering)
STAGE MANAGER: Confirming Taylor Swift. Ready with Karlie.
Sending Taylor and Karlie in three, two, one,
go.
¶ Midnight ¶
¶ You come and pick me up ¶
¶ No headlights ¶
¶ A long drive ¶
¶ Could end in burning flames or paradise ¶
¶ Fade into view, oh ¶
¶ It's been a while since I have even heard from you ¶
¶ Heard from you ¶
¶ I should just tell you to leave 'cause I ¶
¶ Know exactly where it leads, but I ¶
¶ Watch us go 'round and 'round each time ¶
¶ You got that James Dean daydream ¶
¶ Look in your eye ¶
¶ And I got that red lip ¶
¶ Classic thing that you like ¶
¶ And when we go crashing down ¶
¶ We come back every time ¶
¶ 'Cause we never go out of style ¶
¶ We never go out of style ¶
¶ You got that long hair slicked back ¶
¶ White T-shirt ¶
¶ And I got that good girl faith ¶
¶ And a tight little skirt ¶
¶ And when we go crashing down ¶
¶ We come back every time ¶
¶ We never go out of style ¶
¶ So it goes ¶
¶ He can't keep his wild eyes on the road ¶
¶ Ooh, yeah ¶
¶ Takes me home ¶
¶ Lights are off ¶
¶ He's taking off his coat ¶
¶ I say I heard ¶
¶ Oh, that you've been out and about ¶
¶ With some other girl ¶
¶ Some other girl ¶
¶ He says, what you heard is true ¶
¶ But I can't stop thinking ¶
¶ About you and I ¶
¶ I said I've been there, too, a few times ¶
¶ You got that James Dean daydream ¶
¶ Look in your eye ¶
¶ And I got that red lip classic ¶
¶ Thing that you like ¶
¶ And when we go crashing down ¶
¶ We come back every time ¶
¶ 'Cause we never go out of style ¶
¶ We never go out of style ¶
¶ You got that long hair ¶
¶ Slicked back ¶
¶ White T-shirt ¶
¶ And I got that good girl faith ¶
¶ And a tight little skirt ¶
¶ And when we go crashing down, we come back every time ¶
¶ We never go ¶ ¶ 'Cause we never go out of style ¶
¶ We never go ¶ ¶ We never go out of style ¶
¶ Take me home ¶
¶ Just take me home ¶
¶ Yeah ¶
¶ Just take me home ¶
¶ Oh, oh ¶
¶ Oh, ah ¶
¶ Oh ¶ ¶ Out of style ¶
¶ You got that James Dean daydream ¶
¶ Look in your eye ¶
¶ And I got that red lip ¶
¶ Classic thing that you like ¶
¶ And when we go crashing down ¶
¶ We come back every time ¶
¶ 'Cause we never go out of style ¶
¶ We never go out of style ¶
¶ You got that long hair ¶
¶ Slicked back ¶
¶ White T-shirt ¶
¶ And I got that good girl faith ¶
¶ And a tight little skirt ¶
¶ And when we go crashing down ¶
¶ We come back every time ¶
¶ 'Cause we never go out of style ¶
¶ We never go out of style ¶
¶ You got that James Dean daydream ¶
¶ Look in your eye ¶
¶ And I got that red lip classic ¶
¶ Thing that you like ¶
¶ And when we go crashing down ¶
¶ We come back every time ¶
¶ 'Cause we never go out of style ¶
¶ We never go out of style. ¶
(applause, cheering)
STAGE DIRECTOR: Stand by for the exit, all.
Come on, girl! All right, gang,
at the end of this, we'll head towards finale.
Are we taking those wings off?
That was so fun. Yes!
We're good to go. All right, let's do it.
(cheering)
Go models, go models.
Stand by for models.
I'm cueing them now.
Models have been cued.
¶ Turn off the lights ¶
¶ Let go for tonight, baby ¶
¶ Let love in your life and be shown ¶
¶ Let go for tonight, baby ¶
¶ Who needs sleep tonight? ¶
¶ Let go for tonight, baby ¶
¶ Let love in your life and be shown ¶
¶ Let go for tonight, baby ¶
¶ Who needs sleep tonight? ¶
¶ I need to let go, let go ¶
¶ Let go, let go ¶
¶ Turn off the lights ¶
¶ Let love in your life, baby ¶
¶ Who needs sleep tonight? ¶
(whooping)
Awesome! We did it!
Look out, please. Look out.
RUSSELL: Beautiful.
Gorgeous there.
You're looking pretty good there, Ed.
I have to say.
One, two, three!